Tuesday, 22 January 2013

Calm Down Dear, It's Just a Blog...


“Who is it?” Jen asks sleepily as the frantic knocking on the bedroom door wakes her from her rest. Her flatmate Debbie runs into the room and sits down excitedly at the foot of her bed.

“Have you heard the news?” she asks,

“No.”

“Okay, okay, okay. Do you remember that advert with the white haired, slightly lascivious bloke selling insurance, where he asks her to calm down dear because it's a commercial?”

“Vaguely.”

“WELL! Maybe she should tell him to calm down dear because he's dead now!” 

Debbie claps her hands triumphantly and waits expectantly for her flatmate to respond. Jen rolls over and tries to get back to sleep.

“Oh come on Jen! What did you think of my brilliant topical joke?”

“It wasn't very fluid."

“Well what do you know,” Debbie says, getting up from the bed crossly, “I've already had 32 re-tweets and 18 likes.”

“I'm very happy for you.”

“You do know your wasting your life Jen, not getting involved when the nation gets together to laugh at the death of a celebrity.”


“It just seems in slightly poor taste.”

“Not if their entire life can be boiled down to a catchphrase or meme it isn't!” Debbie shouts furiously and slams the door behind her as she leaves.


Meanwhile...


“...and so he goes 'why don't you calm down dear, it's a funeral!” Bill from Marketing says over the top of his desk divider, as the rest of the office fall about with painful, guttural laughter.

“Here's one, here's one!” Ian from Customer Services manages to shout out between wretches of mirth, “Michael Winner gets to heaven looking a bit shocked so God says 'calm down dear, you're in heaven!'”

Sally from Firewall Management almost chokes on her morning coffee as Trevor from Vending Machine Optimisation scrolls frantically through Twitter.

“Have you guy's heard this one?” he asks, the sweat of good humour pouring from his forehead onto his keyboard, “Michael Winner is dead. Calm down everyone!”

There is silence in the office.

Then everyone falls about in uncontrollable hysterics once again as the phone lines in the office ring and ring to the indignity of no-one paying any attention.

Meanwhile...


“Erm, we are sorry for the delay ladies and gentlemen,” the muffled sound of the tannoy dribbles out into the overcrowded morning train to groans and tuts from the commuters. Twenty minutes late already and now more bad news about to befall this accursed London-Midland journey.

“We're having some slight problems getting you to your destination today, but don't worry, calm down dears it's only your daily commute!”

The explosion of laughter seems almost like a physical presence in the carriage as everyone falls about, hugging one another and punching the air with delight. Some openly weep with joy and others text their friends to tell them what has just happened. 

The conductor himself finally stops laughing at his own joke and continues, “But seriously folks a young couple have committed suicide by jumping in front of this train so we'll just be a few minutes more while their mangled bodies are peeled off the front bumper.”

Meanwhile...


In a hospital bed, after several hours under the influence of heavy medication, the actor Michael Winner wakes from his operation.

* *





“Nurse!” Michael says irritably, having already been ignored three times, “nurse, was the operation a success, I feel fine?”

But the nurse just walks past the bed and into the next ward.

“Bloody ridiculous.” Winner says grumpily to himself, stepping out of bed and into the hospital slippers. He feels slightly woozy from the medication but otherwise in tip top condition. He sees two doctors chatting in lowered voices around a water cooler and approaches them to register his complaint about the rude nurse.

“Did you hear about Michael Winner?” asks one of the doctors to the other.

“Yeah, I guess he should have 'calmed down, dear!'” both men let out guffaws but quickly stifle them, concerned of waking up the sleeping patients in the ward.

“Now look here!” Winner begins but they ignore him and continue their conversation.

“Still we shouldn't laugh though, died on the operating table poor chap. Where did you hear the news?”

“BBC news website, you?”


“A funny picture on 4chan.”

“It is strange though, because I was in the operating theatre at the time and I remember the operation being a complete success.”

“I heard that too, but then, why would 4chan make something like that up?”

“I suppose so.”

“And why would everyone on Twitter be making all these brilliant jokes?”


“Well...”

“Look, let's just check Wikipedia. If Wikipedia is wrong about something then I don't want to be right!”

The two doctors get their iphones from their doctor bags and browse in silence for a few seconds.


“Okay, well I guess you're right, I don't know what I was thinking. Go on, tell us another one!”

“Okay, okay. What did Michael Winner say when he met St. Paul at the Pearly Gates.”


“Dunno...”

“Calm down dear, I had a Death Wish so let me in Heaven already will you!” The doctors burst into laughter at the two brilliant individual references and once again hush each other up.

Exasperated, Michael Winner stomps into reception and, ignored by the receptionist, doctors and other patients, out the front door and onto the London street.

“Taxi!” Michael Winner raises a hand but the cab driver just continues on past. He curses to himself as a young lady bumps into him. She looks confused for a moment and then carries on walking.

“CAN ANYONE SEE ME?! I'M MICHAEL WINNER!” Michael shouts to the crowded street but no-one glances his way. Michael Winner looks down at his hand, it gradually fades away into nothingness, as the words "calm down dear" in slightly different but ultimately identical guises fill social media live feeds.

FIN


This Blog is dedicated to my good friend Shaun Kellett, and anyone else who made a Michael Winner joke over a social networking site and showed no contrition afterwards.

Sunday, 6 January 2013

The Lion the Witch and the Wardrobe (extra final chapter)


Chapter 18


The evening rain seems to hang in the air, darkening the sky and soaking the sheep in the fields. In a lonely expanse of sodden countryside the beautiful mansion sits, besieged by the elements and the creeping of time. It is 1941 and the house is in darkness. In the servants quarters Mrs Macready pauses in her nightly reading of the bible and looks darkly at the ceiling. Although two floors below the children's room she can hear the creak of the floorboards as Lucy stomps around, swigging from a bottle of gin and raging impotently at her situation. 

“Lucy we have to get on with our lives, we have to move on.” Susan implores.

“But I was a princess!”

“I know Lucy, we both were. But we have to get on with our...”

“But I was a fucking princess in a kingdom of magic and wonder!” Lucy shouts, throwing her sister's hand aside, “I had a lovely boyfriend, some servants and a group of friends! Now I'm 8 years fucking old, it's pissing down with rain, it's the fucking blitz and I'm never going to see my boyfriend ever again.”

“We have the opportunity to start our lives again, make them whatever we want.”

“Terrific! I have to live the next ten years as a child and then get a job. I can't even remember what jobs there are in this world, can you?”

Susan tries to think, to remember the world before. It seems hazy and distant like a half remembered film.

“Clerical work.” she settles on eventually.

“Right,” Lucy says, “I don't know what that is. But it doesn't sound as good as being an actual fucking princess. Is clerical work in any way comparable to being a magic princess with a healing potion and a dagger?”

“The Professor says we can go back! One day we'll return to Narnia and have more adventures!”

“Oh don't talk to me about that old prick!” Lucy shouts, uncorking the bottle and having another swig, “he's clearly supposed to represent the author of the book, he can take us back whenever he likes! And besides Susan,” Lucy spits her sister's name with scorn, “in case you've forgotten, what seems like a second in this world is fifteen fucking years back home. Our friends are probably all old or dead now. We've missed the best years of our lives just because we were chasing that stupid stag.”

Susan makes for the door, looking concerned and older than ever which is ironic if you think about it.

“Stay strong, Princess Lucy the Valiant, one day we'll return to Narnia, one day. Remember; once a King or Queen in Narnia, always a King or Queen.”

“Oh piss off!” Lucy cries and lies down on the bed.

“How art she?” Peter asks as his sister gently closes the door. Peter hasn't adjusted well to not speaking in a fantasy style.

“Not good.”

“By the Lion's Mane I trust rude health shall return to our sister soon enough. Tis a queer situation we find ourselves in, returned to childlike form having gone through puberty, grown accustomed to sex, alcohol and sword fights and stuff.”

“I know,” Edmund says, “I tried to have a lovely wank earlier. Nothing doing I'm afraid.”

“Why has this happened to us?” Susan asks, burying her head in her hands.

“I know not” Peter sighs, staring out of the window at the ordinary British countryside as the ordinary British drizzle fills the air, “but we have to get on with our lives. We have to live...”

*

Susan, Peter and Edmund are in the drawing room. They have been back in the real world a week but still sit awkwardly in their unfamiliar children's bodies. Edmund is stuffing his face with rationed sweets because he can't find any Turkish delight and Susan is knitting a hat with a lion on it. Peter is standing at the window, running a razor over his bald, child's face and staring blankly at the rolling fields of rural England. There is a sudden banging from the room above and all three children look up and then at each other.

“Is she still up there?” Edmund asks nervously through a mouthful of liquorish,

“Yes,” Susan says sadly, “three hours she's been in that wardrobe, just sitting amongst the coats.”

“But we can't get back to Narnia that way, the Professor told us.”

“She doesn't trust him. She thinks he's a literary device, and a weak one at that.”


*

Inside the musky old wardrobe Lucy sits crossed legged with a box of matches in her hand. One by one she lights them and watches as the roomy interior illuminates and then slowly recedes back into darkness. She has explored the wardrobe more times than she can remember but it refuses to lead her back to the kingdom of Narnia. She has concentrated, prayed and even pummelled the back panel but to no avail. Sighing deeply she lights the last match in the pack and the brightness flickers steadily before being vanishing into smoke.

Lucy sits in silence for a moment, willing Narnia to appear before her. She almost thinks she can feel a breeze on her neck.

This time, she thinks to herself and crawls to the back of the wardrobe. But her hand touches only thick winter coats and oak panel.

The End

C.S Lewis, 1950